SPEAK
But... there are several other reasons why I
have chosen Speak as my chosen contender secondary school text - the convenient
fact that it was a book on our syllabus being the least compelling.
This is a text that offers a fresh take on
the universal teenage struggle to fit into a community – thus something that many secondary students can
relate to. It can be frustrating to read, because despite how much access
readers are granted to the protagonist’s inner thoughts, they remain powerless
to influence her decisions and mindsets. This is perhaps deliberate as it
forces readers to come to terms with the stubborn and often ignorant mental
processing of adolescent teenagers. It reminds me very much of Catcher in the
Rye, in that both protagonists are on a journey to learn to cope with a damaged
past, and both act out in wilful and often ineffective ways. The key thing is
that Speak is much more censored in terms of language use, and suitable for
discussion at the secondary school level. The frustration it generates may also
be productive because readers instinctively reach for better alternatives that
the protagonist could have sought for her situation, and these problem-solving
skills may very well develop tenacity and maturity in students, which they can
apply to dealing with trials in their own lives. At the same time, the text opens up
opportunities to discuss real issues that teenagers face today -- date rape,
victim-blaming and bullying being some of them. These have the potential to
cultivate seeds of empathy and teaching moments.
Anne of Green Gables
Anne of Green Gables is a bildungsroman
novel which deals richly with the narrative elements in the MOE syllabus –
plot, setting, character, style. It is intertextual – there is even scope for
discussion of poetry, seeing as the text weaves some of these in too – and
deals with themes like love and loss. Descriptive language and symbolism are
integral characteristics of the text, and I imagine that it might be fairly
engaging to involve students in representing the different settings in the text
through drawings/blueprints to check for understanding. However, I imagine that
the language may be a tad dry for some students, especially those who are not
regular readers. The non-modern context is also less relatable to students in
the 21st centuray, which may pose a challenge in getting students to
plough through the text willingly.
Harry Potter series
Pick a book from the Harry Potter series
and you’ll find a masterful treatment of characterisation, setting, plot and
theme. The great thing about it is that students are likely to have an
intrinsic motivation to read it, seeing as it is popular among them and has
been made into film. This also opens up multimodal opportunites to teaching
Literature – for instance exposing students to visual literacy skills through a
discussion of how sound effects add to setting and atmosphere. It also
encourages students to evaluate the representations of scenes, for instance how
tension is created differently in text and film. For the sake of chronology, it would be best to examine the 1st book. The film adaptation also depicts a much less distracting version of Emma Watson at that stage - something to consider if you've boys in the classroom.




Hi Melissa, nice point about the fact that students may not access a text if the language is too dry - what appeals to us may be too difficult for some students to access. It's a good idea to read texts differently as well as as read different texts. When we think about absent voices, we begin to gain new insight into the text/world.
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